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| In this sequence we maintain the general composition by keeping the edges of the shots. Notice the gentle movement of the white pillars across the background (or the sun through the shades) while the edges of the shots remain intact. | As the diagram shows - in the first shot of this sequence the radius angle of the Dolittle is set to maintain the edges of the shot in their place during the whole movement | |||||||||||
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contact: mbrezis@hotmail.com, o_binnun@hotmail.com |
